OFFICE HOURS
| "A briskly paced and extremely funny dark comedy. The audience was almost on the floor in tears." -- Calgary Sun |
| Office Hours takes place in six different city offices at approximately the same time on a Friday afternoon, and the stories that take place in each of these offices are cleverly intertwined. Act Two opens with "The Visit." | |
| ACT TWO | |
|
THE VISIT |
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| Time: The present. | |
| Place: The office of lawyer Richard Penny. | |
| AS THE SCENE OPENS, RICHARD SITS AT HIS DESK. HE IS TALKING ON THE PHONE. | |
| RICHARD: | Well, hopefully my meeting won't last too long. I should be at your place by five-thirty......Mmmm I can't wait. Have the wine chilling and the Sinatra playing....Oh, listen, I could sure use one of your fabulous back rubs tonight....Good. I've got some tension knots like you wouldn't believe.....Well, you do mine, and I'll do yours. |
| (THE OFFICE DOOR OPENS AND RHONDA AND LLOYD PENNY ENTER. RHONDA CARRIES A PICNIC BASKET.) | |
| RHONDA: | Hello, Counselor. Mind if we come in? |
| (THEY ENTER AND CLOSE THE DOOR.) | |
| RICHARD: | (TO THE PHONE.) I've gotta go....Yeah, see you then. (HE HANGS UP THE PHONE.) Mom, Dad, what are you doing here? |
| RHONDA: | We brought lunch. Ooh, look at this office, Lloyd. Is this the office of a big wheel lawyer or what? |
| LLOYD: | Very nice, Ricky. |
| RICHARD: | Mom, it's three-thirty. I've already had lunch. |
| RHONDA: | Well, so, you'll have some more. You're too thin anyway. |
| LLOYD: | It's lobster. |
| RICHARD: | Lobster? You brought lobster? |
| RHONDA: | McLobster. Your father insisted. |
| LLOYD: | I happen to like McLobster. |
| RHONDA: | I brought some vegetables and a cold plate for us, Richard. |
| RICHARD: | Mom, really, I don't have time. I have a meeting. And how did you get by my secretary? |
| RHONDA: | I told her I was your mother. She sent us right in. It's a woman thing. She's rather trampy-looking, isn't she? |
| RICHARD: | Who, Tammy? |
| RHONDA: | Tammy? Well, say no more. Lloyd, are you going to sit? |
| LLOYD: | I'm looking at the office. Very nice, Ricky. And so tidy. |
| RHONDA: | Well, Richard always was the neat one of the two boys, weren't you dear? |
| RICHARD: | Sure. Mom, listen to me... |
| RHONDA: | Listen nothing. You've been in this office for almost a year now and you haven't invited us to see it once. So, we're smashing. |
| RICHARD: | Crashing. |
| RHONDA: | Whatever. Now, sit down and have some food. Your meeting can wait twenty minutes. |
| RICHARD: | Mom.... |
| RHONDA: | Sit. |
| RICHARD: | All right, but just twenty minutes. That's it. |
| RHONDA: | Right, twenty minutes. We'll wolf our food down, give ourselves heartburn and be on our way. |
| LLOYD: | (NOT LISTENING. HE NOTICES RICHARD'S WEEK-AT-A-GLANCE.) Nice week-at-a-glance, Ricky. Mmm, leather bound. Where'd ya get it? |
| RICHARD: | Tammy gave it to me. |
| LLOYD: | Nice. Oh, and what's this? (PICKS UP A BOOK.) Margaux Kenyon, huh? |
| RHONDA: | Since when did you start reading filth, Richard? Since you moved downtown? |
| RICHARD: | I'm negotiating the movie rights for a client, Mom, that's all. |
| RHONDA: | Oh. |
| RICHARD: | So how are you both? What's new, Dad? |
| LLOYD: | Saw a horse die at the track a couple of weeks ago. Terrible thing. Heart attack. Went down like he was polaxed. |
| RHONDA: | (UNPACKING THE BASKET.) Have you got any glasses, dear? I brought orangeade. |
| RICHARD: | Glasses? Uh, yeah. (HE GETS UP AND GETS THE GLASSES.) |
| LLOYD: | Don't get one for me, Ricky. That stuff gives me gas? |
| RHONDA: | Everything gives you gas. |
| LLOYD: | Well, this stuff especially. All that pulp. |
| RHONDA: | What pulp? There's no pulp in orangeade. |
| LLOYD: | There's pulp. Believe me. |
| RHONDA: | It's made from crystals |
| LLOYD: | Right. Pulp crystals. So, did ya hear, Ricky? They're putting pants on the statue of Cupid. |
| RHONDA: | Not pants, Lloyd. A loin cloth. And it's about time they put something on him. It's rude, him standing there with his willy hanging out like that. |
| LLOYD: | It's Cupid, Rhonda. Hanging is an overstatement. |
| copyright 1996 Norm Foster |
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